In Hiding
In the winter of 1943, Dziadziu learned that the Nazis were going to burn down the ghetto in Lvov where my mother, father, baby sister, and I were hiding.
Read reflections and testimonies written by Holocaust survivors in their own words.
In the winter of 1943, Dziadziu learned that the Nazis were going to burn down the ghetto in Lvov where my mother, father, baby sister, and I were hiding.
A gentle breeze rustles the leaves. It is sunny and warm. The sun hits my face with a warm glow. Babcia (“Grandma” in Polish) digs for a potato or carrot in a picked-over patch of land. I scamper after her. I catch up with her, pull at her skirt to get her to play with me. She sighs, wrinkles her forehead, but agrees to pick dandelions with me. We both pick dandelions. She sits with me and makes me a wreath of dandelions. I wear it proudly. The smell of violets, wet leaves, and damp earth fills the air. Babcia continues to look for food. I try to follow her but my eyelids start to droop, and I begin to feel heavy; my steps become more and more sluggish. I fall asleep. Babcia goes back to the house. She stands outside with Mrs. Schwarczinski.
Recently I heard someone saying that the Holocaust Museum, among many other things, is a grave for those who do not have a grave. I could immediately identify with the sentiment, because my father does not have a known grave that I am obliged to visit on his yahrzeit, the anniversary of a parent’s death in Jewish custom. As a matter of fact, we cannot even observe a proper yahrzeit because we do not know the date of his death.
After my mother was miraculously released from the infamous Mosonyi Street Detention Center, we could no longer stay with our host family, whose apartment was not in a building that was assigned to Jews and marked with a yellow Star of David. We could not afford to have another “good neighbor” denounce us again to the police.
In 1964, the Cold War was alive and well, and travel from Hungary to Western Europe was still the privilege of world-famous performing artists—musicians, singers, and ballet dancers—as well as world-class athletes. However, travel restrictions from Hungary to other Communist countries had eased a little bit. One could apply for a one-time exit permit, and if the local chapter of the Young Communist Organization and the Trade Union gave a glowing endorsement, one could visit such coveted travel destinations as Romania, Bulgaria, or Poland.
Of all the people to whom I owe for the fact that I am alive today, there is one I want to single out: my mother. She was no taller than five feet, and she was nothing but love. She also had more than her share of suffering. One of seven siblings (two of which died at a young age), she lost her father when she was only 11. This loss left her own mother to struggle with raising the children.
I first met Flory Jagoda in 2001 when she founded our Ladino group, Vijitas de Alhad (Sunday visits). I was one of the very first members of that group, and I was immediately seduced by her charm. She was an approximately 80-year-old lady, a native of Bosnia who moved to the States after marrying a young US Army officer in 1945. Flory was a young bride whose wedding gown was made from a parachute. A singer and composer, Flory wrote “Ocho Kandelikas” (Eight candles)—the famous song that celebrates Hanukkah. I started to attend our monthly visit assiduously, and it was like love at first sight.
In October 1944, my mother and sister were killed in the Massacre of Stare Hory, in the mountains of Slovakia. I was wounded and left staring at my dead mother, who lay on her back with her eyes open. I could not understand why she was not getting up. A Jewish partisan, Henry (Adam) Herzog, took me away, promising that my mother would join me later. He took me to his unit, but quickly realized that a wounded child is a liability to a fighting unit. So, after seven days, he brought me to the village of Bully and left me in the house of Paulina and Jozef Striharzsik, promising them a reward if they kept me or death if they did not. Given that choice, they kept me.
One of my best friends, Jeanne Rosenthal—the viola player in one of my quartets that performs on International Holocaust Remembrance Day—told me of an exhibit in Cleveland, her hometown, of violins that were found after World War II. Those violins had belonged to Jewish musicians whose lives ended in the gas chambers after the Germans stole their instruments.
I work with a special teacher from Nebraska, my friend Mark.