The first time I saw Elie Wiesel was on television in France in 1967. In the wake of the Six-Day War, a French network presented a program that consisted of a screening of Otto Preminger’s movie Exodus, based on Leon Uris’s novel, followed by a debate between three Jews and three Arabs. At that time, there was so much tension between the two sides that the Arabs wouldn’t even agree to sit in the same studio with the Israelis. On the Israeli side was a man who stood up and left, arguing that he had once been treated like he was subhuman in Auschwitz, and he refused to accept the same insulting treatment again. That man was Elie Wiesel, and today, 50 years later, I am still in awe of his dignity. The other two men on the Israeli side remained so that there could be a debate.